Wait, you're a writer? Why? What makes you so different?

It's been some time since I posted on this Blog (hey, I'm still a writer.  Just working on other projects), but one of my dear Lesley cohorts/buddies posted a call to other writers on their writing experiences in the form of a blog.  Sorry it took some time to upload, once I accepted the challenge, but here it is.  And thanks Sabrina Fedel, Destination Providence (check out her blog) for the call.  Well, I'm going to start with the questions (below) and let you dive in to my answers.


1. What am I working on?

At this time I am currently working on a few projects:  I have two stage plays, two screenplays (a short and a full), and I am working on a musical.  I have also been working on something for the web . . . It's a lot of plates spinning in the air at once (pardon the overused phrase), but that's what keeps me motivated -- having plans -- so many plans where I have to give more than 110% at a time.  

So, that's the literary side of my projects, but I also am working on new music and compositions, because not only do I love to write, but I love music too.  And merging those two into my projects just seems fitting and natural.  


2. How does my work differ from others of its genre?


My work differs from other material in the same genre, because, well, it's mine.  Everybody draws some inspiration from other artists, whether it's music helping the writer focus on a plot, character or scene; whether it's taking personal experiences and writing those lives; or just writing what we want and how we want it.  Either way, we all take from something, in order to create something new.  But what makes my writing (mostly dramatic) different from what is already out there?  I'd say it's my want to tell stories I haven't yet seen.  Stories of people who sometimes never are discussed, or not fully.  Many of my characters are relevant, but when you've seen some of those characteristics in other media (play, film, etc), there tends to be either more grit than sympathy for the people, or too much and not enough understanding of their beginning leading to why they are that way.  

I also tend to write many scripts where there is a major focus on women.  Not that I haven't made plays with dominating male characters, but for the most part I like giving women characters a chance to speak.  

More importantly what makes my writing different is that it is told by me.  As bland as that answer is, it's true.  I write what I know, and what I've learned.  I write who I know.  Who I've witnessed.  Who needs to be heard.  And from where their stories should be told.  I've written many plays with young characters, because those are also voices that need to be listened to.  And without hearing those young characters, sometimes feeling silenced, you'd never see the growth in them -- and ultimately if silenced, that stifles them from changing for the good.  And isn't that really what we want our characters to do?  Change for the good?  Even if only for the action in the play.


3. Why do I write what I do?

Again, I write what I do, because I love what I write!  From music to screenplays to stage plays, it's all part of what makes me, me.  And I tend to write in more dramatic tone, because I've learned the hardest stories that you might not want to tell, are the ones that need to be told the most.  And because everyone has a story within them, we shouldn't just go for the positive ones, but tackle the deep issues and shed light to the stories hidden within.  Every character is flawed.  Every person is flawed.  And because of that, there are many stories to write.  And with each day I find more material to layer another story.  I write in a way that can speak for those who haven't yet found their voices.  

I've written material that I've (in the past) even been afraid to discuss.  And that's what makes it amazing.  Being able to delve so far that the dialogue happens.  And when it does, it's worth the writing.  

But ultimately I write because I cannot imagine myself doing anything other than reaching people through stories.  I consider myself an artist; a performer; an entertainer if you will.  And that is because I write to put the audience in a place where they are transformed into an experience only I can give them.  I write because there are way too many stories untold.  And I want happier endings, even if it's just on the page.


4. How does my writing process work?

My writing process works in such an all-over-the-place-yet-focused-way.  By that I mean, like many writers, I can write at any moment.  If an idea comes, no matter when, I have to write it down, type it up, or voice memo it.  When it's an idea from a dream (which has happened plenty of times), I wake up and quickly write what I visioned, and go from there. 

It can also be a song that gives me such an emotion that I know exactly how a character should be formed.  And when that's the case, I tend to put together a music playlist of songs that help me write, which sticks with me throughout the entire writing process.  

I've done storyboards, index cards, notes on Word, tape up sticky notes -- it all works for different reasons, and different ideas.  But with each various one, it's all about the focus.  Once I have an idea, and know that character, then I can start writing their story.  After a while it's me becoming them for the time being: thinking like the character; knowing what they would do, sort of like an actor preparing for an audition.  Once I'm in the mix of writing the story, then it's hard to get me out.

My writing process is full of many ideas, rewrites, tossing pages, going back to the beginning of an idea and rethinking, and reshaping the core -- which like other writers I know can be tough.  Because once I have a solid idea, which I love, it's hard to let go.  But again, I have to think about why I write.  Because it's not just about me.  It's about those stories that need to be told.  And however long the writing process may take (unless there are deadlines, which seem to be the case quite often), I must stay focused and write.  

Did I mention that I sort of have an obsession with coffee and coffee houses when I'm struck with the writers moment?  Well, that's another part of my process.  I've learned from the best in many of my writing courses, that when you are being held accountable for your writing, you work better.  So, when I know I have a deadline (by others or myself), I lock myself away in a room with my headphones and music, books, notes, and a laptop set to Final Draft, and write.  And when I'm in the coffee shop, I do the same -- even if it's in public, I find myself a corner spot, headphones, books, notes, laptop set to Final Draft and I immerse myself in the story -- forgetting I'm still in public.  There have been many nights where I have stayed in said coffee shop until they were closing, only to pack up and head home for more writing, because I was still in the zone.

Most writers are probable aware with how difficult it could be to get in that writers moment.  But once you're there, you don't want to stop. 
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Besides myself, there are plenty of other awesome literary people (also fellow Lesley University MFA Creative Writing cohorts), so please check out their blogs:

Michael Anthony, A Veteran’s Perspective…
Alexis Marie Writes
Cynthia Platt, Scribbling in the Garret